BB1 - Is an exquisite display of vibrant color,Bruni depicts the companionship of two frogs.
Bruni masterfully blends a palette of blues,greens and purples here, achieving a finish that’s captivatingly mindfuliridescence.
Bruni has become one of the most famouscontemporary artists in Germany. This beautiful painting is a part of hiswatercolor series.
This fantastic artwork evidences Bruni’s masterful ability to sculpt beautifullydelicate female nudes.
Following in suit to the motifs of his repertoire, this sculpture depicts a womanundressing, providing the viewer with an intimately voyeuristic experience.
This piece is part of our prized collection of Bruno Bruni’s rare A.P. sculptures.
This bronze sculpture is signed and numbered A.P (1/8)
Bruno Bruni recurrent female motif is seen here sprawled out, face down, her upper halfdraped in sheets of bronze.
The artist's masterful ability to recreate such delicate textures here in alloy isa wonder to behold.
In his ever-playful manner, Bruni places emphasis on the refinement of her shape,accentuated in curvature of his subject’s spine and buttocks.
This monumental piece is part of our prized collection of Bruno Bruni’s rare A.P.sculptures.
The naked female, Bruni’s recurrent muse, is seen here hunched over in a slightly awkward position. Regardless ofher arrangement however, her figure somehow retains that familiar iconic gracewe have become so accustomed to in the artist’s works.
Bruni has truly mastered the art of capturing the charm and finesse of the feminine,this sculpture proving a perfect example.
Inocencia, beautifully represents the innate innocence of the female form throughher elegance.
This masterful sculpture is part of our prized collection of Bruno Bruni’s rare A.P.sculptures.
Evident in this sculpture is almost the exact same depiction as seen in Bruni’scelebrated The Kiss.
A darkly cloaked male figure embraces his golden and naked female counterpart.His clothing and her lack thereof is representative of the stark contrastexisting between the masculine and the feminine.
Bruni places emphasis on the elegance of her shape, sculpting a delicate curvature inher spine and buttocks. This is then accentuated by the juxtaposition of themale’s unwieldy outerwear.
Following in suit to the motif of the naked female present across many of Bruni’s works, The Kiss stands as a celebration of thefemale form.
Bruni places emphasis on the elegance of her shape, sculpting a delicate curvature inher spine, calves and buttocks. This is then accentuated by the juxtapositionof the male’s unwieldy outerwear.
Bruno Bruni loves to pay homage to the female body in his works.
This beautiful sculpture, cast in bronze with green patina, depicts a reclinedwoman, who seemingly attempts to remove her clothing overhead.
The habituality and rawness of the act of undressing is depicted here with aparadoxically award gracefulness.
Her slender, yet delicately curvaceous figure provides a sense of effortlesselegance, representative of the natural allure of the feminine form.
One of the best Bruni’s fixation on the female form.
La Calma, cast in bronze, shows a woman hunched over, yet somehow stillretaining an effortless grace that’s so familiar to Bruni’s works.
Her body, mind, and the stone upon which she sits seem grounded together in perfectharmony. This stunning sculpture invites the viewer to rest, relax and allowtheir thoughts to guide them away.
Here we have Bruno Bruni familiar motif - the undressing female form - though here sheis inverted and almost alien in her elongation.
Bruni slightly tweaks his recurrent imagery with each sculpture, emblematic of hisplayful style as an artist.
This artful gaiety is perhaps more apparent here than in his other works by thecaptivating reversal of the standard stance.
His perennial motif of the undressing woman presents the viewer with an intimate,and slightly voyeuristic experience.
Bruni Bruni is famed for his elegant and effortlessly alluring depictions of the femalebody.
His recurrent image of a woman undressing is seen here, though she is face down andsprawled out to accentuate her slender figure.
Bruni places emphasis on the refinement of her shape, accentuated in the bronzecurvature of her spine and buttocks.
This recurrent motif of the undressing woman presents the viewer with an intimate,and somewhat voyeuristic experience.
This sculpture is part of our prized collection of Bruno Bruni’s rare A.P.sculptures.
In this sculpture we have Bruno Bruni familiar motif - the undressing female form - though here sheis inverted.
The sculpture, cast in bronze with green patina, manifests a sense of luxurythrough that iconic color combination - green and gold.
Bruni’s decision to invert his subject is reflective of his playfulness in art. Ever soslightly, he tweaks his recurrent motif, providing the viewer with a differenttake on the same divulging study.
"Camaleonte "With stunning vibrancy, Bruni celebrates theunique trademark of the chameleon in a wonderful display of color.
A broad palette has been used to paint theanimal, ranging from warm reds at the nose, to cooler blues at the tail.
This original watercolor is a wonder to behold,marking the color-changing abilities of an animal that so often appears in theBruni’s works.
We are excited to be hosting these unique candle holders cast by Bruno Bruni. These candle holders arepart of our prized collection of the artist’s rare A.P. sculptures.
Bruni has mastered the art of creating delicate twists and textures in alloy, andthis skill is wonderfully proven throughout his series of candleholders.
Standing elegantly tall, these works of art invite the viewer to behold their abundanceof beautiful detail.
Sharp edges juxtapose smooth curvature within their grooves and twists, granting thesculptures a uniquely playful and experimental edge.
This collection of candle-holders is part of our prized collection of Bruno Bruni’srare A.P. sculptures.
Bruno Bruni recurrent motif, the naked female, is intertwined with delicate nature in thisnoteworthy sculpture.
Taking a break from the soft textures of clothing, Bruni depicts her body inside asnail’s shell - perhaps she is trying to find protection here
The juxtaposition of the calcified shell and the softness of her body is representativeof her vulnerability and innate innocence.
This tender allegory, cast in bronze pays a stunning tribute to the beauty of women.
Bruno Bruni loves to convey the delicate innocence found naturally in the feminine form.
His subject here is hunched over, yet retains her innate elegance. She appears tobe lost in her own thoughts, inviting the viewer to rest, relax, and allowtheir thoughts to guide them away.
With all the characteristics of Bruni’s art, this bronze sculpture masterfullydepicts his female subject in all her graceful beauty.
This wonderful sculpture presents us with Bruni’s typically marvelous depiction ofthe female form alongside delicate textures cast in bronze.
Here, the woman sits atop a huge cushioned structure, curled up in fetal position.
The pose is representative of her child-like vulnerability, which is then amplifiedby her smallness in the center of this large bed.
This piece evokes a sense of comfortability and peace within the viewer - we arereminded of the tranquility sleep.
This pieces is signed and number A.P (1/8)
Zeus The Conqueror is a sculpture which depicts the naked and vulnerable female form sprawled acrossthe length of a bull’s back.
This magnificent sculpture juxtaposes strength and fragility, the masculine and thefeminine. The partially polished female nude shines shines like gold resultingin stunning contrast to the bull’s darkness.
This beautiful sculpture showcases Bruni’s delight in the female body - in all itsexposed vulnerability and sensuality.
We are proud to host this magnificent piece of art. It is part of our prizedcollection of Bruno Bruni’s rare A.P. sculptures.
This bronze sculpture is signed and numbered A.P. (1/8)
Bruno Bruni senior (born 22 November 1935, in Gradara, Italy) is an Italian lithographer graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers
Born in Gradara, in the Province of Pesaro and Urbino on the Adriatic Coast in 1935, the son of a railway attendant, Bruni started painting as a young boy. He was initially a pupil of Giuliano Vanghi ; from 1953 to 1959 he attended the Art Institute in Pesaro. He then moved to London, where he became interested in pop art. In 1960, after an exhibit of his work at London's John Whibley Gallery, and after meeting a girl from Hamburg, he moved there to live with her and enrolled at the Hochschule für bildende Künste Hamburg. He has lived in the city ever since and visits his hometown regularly.
In the 1970s, Bruno Bruni made a name for himself as a draftsman, lithographer, painter and sculptor in the international art world. In 1977, he won the International Senefeld Competition for Lithography. He is influenced primarily by German expressionists like Otto Dix, George Grosz etc. and the Italian old masters . In particular, he is noted as one of the few lithographic artists "who paint all work directly onto the stone". He is especially known for his erotic female forms. He has said, "I cannot paint an abstract picture. If I had gone along with the trends I'd have disappeared long ago". He resides in a converted swimming pool, more than a century old, which serves as apartment, workplace and gallery. He sells his art through his wife's gallery in Hanover and is reputedly one of Germany's top earning artists. He is also a keen cook of Italian cuisine, and is a boxing fan and a close friend of former boxing champion Dariusz Michalczewski, for whom he used to cook for before matches. He has also cooked for Gerhard Schröder and has published a cooking book with his favorite recipes, memoirs and pictures related to his life.