First created in 1968, this magnificent sculpture depicts
the famed scene from the book of Genesis.

Here stand the naked Adam and Eve in the garden of Eden.
They are accompanied by the serpent, who has been fashioned into the shape of a
heart, denoting the sensual nature of the parable.

Dalí has captured here the moment in which Eve offers Adam the forbidden fruit,
resulting in a scene that intertwines themes of loyalty, faith, desire and
indecision.

The serpent’s shape also channels the ideology that love
creates a whole greater than the sum of its individual parts.

Dalí’s religious influence in art was largely a direct
result of the events and people that surrounded his artistic career, starting
with his Roman Catholic mother.

We see other examples of religious iconography in Dalinian
works such as The Cubist Angel (1983)
and The Sacrament of the Last Supper (1955).

This piece is...

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Bronze with green patina

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Numbered and signed

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Limited edition of 350 and
35 EA.

A sculpture of marvelous magnitude, The Dalinian Dancer (1949) masterfully encapsulates the beauty and
elegance of feminine movement.

Dalí’s fascination with the art of dance is certainly
channeled here, as he pays homage to his home country and its emblematic dance
- the flamenco.

The dancer, cast in bronze with blue patina, passionately
twirls in an impulsive display of pure joyousness.

Interestingly, this beautiful sculpture also reflects fondly
on the times Dalí spent working on ballet costumes and set designs.

The art of dance is a recurrent motif throughout his works,
appearing across a number of paintings such as Fiesta de Santa Lucia (1921) and Bailarina en una calavera (1939).

This piece is...

Bronze with blue patina

Numbered and signed

Limited edition of 350 and 35  EA.

Dalí’s fascination with the art of dance is subtly channeled
here, as he pays tribute to Terpsichore, the Greek ruler of dance and dramatic
chorus.

The dancer, in reflective gold, is shining, smooth and
refined, representative of the precise rhythm and movement of a well-rehearsed
dance routine.

The sculpture itself holds a certain degree of rhythm, with
its three-dimensional flow allowing for a slightly different experience from
all angles.

Interestingly, the sculpture also reflects fondly on the
times Dalí spent dappling in the art of dance himself - working on ballet
costumes, set designs and sometimes the script itself.

Much like The Cubist
Angel (1983), this sculpture beautifully intertwines modern cubism with
traditional antiquity, creating a real spectacle for the viewer.

This piece is...

Bronze, gold and green patina

Numbered and signed

Limited edition of 350 and 35  EA.

Originating from Dalí’s celebrated Tarot series, Man With Butterfly was inspired by Gala,
his beloved wife and muse.

The card, ‘El Diablo’ pictures a male figure, bracing for a
jump into the unknown while holding a staff, upon which a monarch butterfly is
perched.

The creature symbolizes metamorphosis and the fluidity of
the human mind. Themes of harmony, earthly joyousness, and fluxion are all
present, as well as a sense of liberation with the man’s waving hair.

This beautiful sculpture takes the monotony of the everyday
and turns it into a celebration of the gift of life - remnant of the
caterpillar to the butterfly.

Similar depictions of nature and metamorphosis can be found
in Saint George and the Dragon (1942)
and The Snail and the Angel (1977).

Numbered and signed

Limited edition of 350 and 35  EA.

Dalí’s exquisite Profile
in Time poses the same profound questions found within his masterpiece The Persistence of Memory (1931).

The artist’s recurrent clock face motif urges viewers to
realize how our fixation with the concept of time is totally irrelevant and
arbitrary.

The melting timepiece seen here, invites the viewer to
consider the meaningless and false construct of the notion.

The juxtaposition found within the limp-looking metallic
clock accomplishes Dalí’s mission to “systematize confusion” and “discredit
completely the world of reality.”

Notable works with similar themes running through include Woman of Time (1984) and Dance of Time (1979).

This piece is...

Numbered and signed  

Limited edition of 350 and
35 EA.

A unique take on the Christianized legend, Dalí’s version of
Saint George and the Dragon pays
homage to the artist’s inspirational muse - surrealism.

Dalí’s Christianized influence in art was largely a direct
result of the events and people that surrounded his artistic career, including
his Roman Catholic mother.

Here we see the mythical dragon’s wing metamorphose into
copper flames, offset by the green patina of its distinctive scales.

The age-old battle between good and evil has ended with the
gold-finished bronze knight spearing the monster’s crutched tongue (a common
Dalinian motif).

Themes of mysticality, good and evil are also present in Adam and Eve (1984) and The Unicorn (1977).

This piece is... 

Numbered and signed

Limited edition of 350 abd 35
EA.

Dalí’s fascination with celestial beings once again rings
true with this stunning angel set in bronze with blue patina.

The masterful intertwining of cubism with antiquity is
remnant of The Cubist Angel (1983),
though we are given a much stronger taste of the latter in this sculpture.

This angel’s velvety bronze is symbolic of its beautiful
strength, while its slender silhouette lends the impression of feminine
sensuality.

Dalí’s somewhat euphemistic statement that 'nothing is more
stimulating than the idea of an angel’, emphasizes these sensual undertones.

The hole present in the angel’s chest is intended as a
Freudian metaphor - a vessel for light to inspire its audience to envision
something further beyond plain sight.

This piece is...

Bronze with blue patina

Numbered and signed

Limited edition of 1500 and 35  EA.

This sculpture encompasses Dalí’s great respect for Sir.
Isaac Newton. Set in bronze with blue patina, the iconic apple symbolizes and
celebrates the scientist’s discovery of gravity in 1687.

Dalí commemorates his work, yet commiserates his loss of
identity, by piercing two gaping holes within the sculpture. The poignant
removal of the face and internal organs (heart and soul) denotes how Newton,
the individual, has become all but a name.

Dalí’s interest in science was a life-long affair that held
strong and constant influence over his artworks. In 1935, the artist elucidated
this influence further, describing himself as a fish swimming between 'the cold
water of art and the warm water of science.'

This piece is...

-        
Numbered and signed

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Limited edition of 350 and
35 EA.

Dalí’s lustfully intertwines the modern and the classic in
this magnificent sculpture.

The Cubist Angel
(1983) channels the formal language of cubism, yet she stands on a pedestal - a
feature remnant of the art of antiquity.

The shining silkiness elucidated by the sculpture’s golden
finish marks Dali’s fascination with the winged messengers of God. The work’s
vibrancy is symbolic of the elegant strength of angels.

Dalí’s statement that 'nothing is more stimulating than the
idea of an angel’, emphasises his obsession with their beauty and heavenly
power.

This beautiful ode to stand figure sculptures, set in bronze
with black and gold patina, echoes themes present in The Surrealist Angel (1984).

This piece is...

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Numbered and signed

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Limited edition of 1500 and
35 EA.

The Snail and the
Angel proves a model example of Dalí’s psychoanalytical influences in art -
inspired by Sigmoid Freud, whom he came to consider a spiritual father.

Evidence of Freudian influences on his work are present in The Burning Giraffe (1937) and Woman
Aflame (1980), where themes of the subconscious run strongly throughout.

Here we see a winged snail, set in bronze with green patina,
riding the waves of idle-passing time metamorphosed as the sea. One of Dalí’s
favorite dualities is also at play here - the softness of the animal paired
with the hardness of its shell, presenting the viewer with a paradox of nature
intended to intrigue and fascinate.

The winged messenger atop proudly holds a crutch (yet
another Dalinian motif), providing an anchor in the ground of the real world to
offset the surrealism of the sculpture. 

This piece is...

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Numbered and signed

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Limited edition of 350 and
35 EA.

Dalí once stated, 'nothing is more stimulating than the idea
of an angel', and that idea rings true in this stunning sculpture.

The expressively shaped and flamboyant winged figure plays
his divine trumpet, sending his empyrean message far and wide.

This monumental structure presents the viewer with themes of
strength, joyousness and godly beauty, found similarly in the likes of The Cubist Angel (1983) and The Surrealist Angel (1984).

Set in bronze with blue patina, the piece’s colors
accentuate its ethereality, as calming blues and regal golds echo its celestial
theme. 

This piece is...

-        
Numbered and signed

-        
Limited edition of 350 and
35 EA.

One of Dalí’s favorite motifs, the elephant represents
ideas about the future. Typically depicted holding heavy objects and walking
with spindly, stilt-like legs, Dalí’s elephants confuse us with their alien
gracefulness.

Elephants first appeared in Dali’s 1944 paintings Dream Caused by the Flight of a Bee Around a
Pomegranate a Second Before Awakening, and The Temptation of Saint Anthony and Swans Reflecting Elephants.

The triumphant elephant, pictured here, carries an angel on
its back, who represents the subconsciousness that guides us through life.

The shining silkiness elucidated by the angel’s golden
finish denotes Dali’s fascination with the winged messengers. The work’s
vibrancy is symbolic of the elegant strength of angels.

The trunk of the elephant is raised in jubilance, echoing
the exultant message sent out by its celestial companion.

This piece is...

Bronze with green patina

Numbered and signed

Limited edition of 350 and
35  EA.

Dalí’s fascination with mythology and female sensuality is
masterfully channeled in his 1977 sculpture,
The Unicorn.

A symbol of timeless purity, the mythical creature pierces a
somewhat phallic stone wall with its sharp horn, revealing its gold interior. A
golden female figure (likely representative of Dalí’s wife) lays outstretched
and naked, laying down the foundations for the themes of sensuality.

Dalí metaphorized the love shared between himself and his
wife Gala, represented by the heart-shaped hole made by the unicorn. His
autobiography states how he envisioned Gala riding the creature - “mounted on
the unicorn of my Fate” - inextricably linking the image of the unicorn with
their eternal love.

Dalí pays further homage to his wife in other works such as Gala Placidia. Galatea of the Spheres (1952)
and The Madnna of Portlligat (1949).

This piece is...

-        
Bronze with green patina

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Numbered and signed

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Limited edition of 350 and
35 EA.

Representative of a burning passion, “Woman Aflame” depicts
the secretive sensuality of the female body and its enigmatic nature. This particular
model holds great significance, and is one of the most notable works within
Dalí’s sculpture repertoire.

Inextinguishable golden flames resembling drawers wrap
around the figure’s hourglass shape, possibly symbolizing untapped female
desire. Inspired by a Freudian concept, drawers typically represent memory and
the subconscious in Dalí’s world, further backing up this theory about female
sexuality.

An image of striking similarity can be found in The Burning Giraffe (1937), underlining
the importance of Freud’s concepts, and the influence he had over Dali’s work.

Dalí often labelled Freud as his ‘spiritual father’ and
referenced his theories of psychoanalysis in many of his paintings and
sculptures.

Set in bronze with green patina, this piece masterfully
exhibits the core characteristics of the Surrealist movement.

This piece is...

-        
Numbered and signed

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Limited edition of 350 and
35  EA.

“Woman of Time” presents the viewer with those same profound
questions posed in Dalí’s renowned masterpiece The Persistence of Memory (1931).

Dalí’s recurrent motif of the clock face urges the viewer to
realize how our fixation with the concept of time is totally irrelevant and
arbitrary.

Here we see a shining timepiece, melting in a female’s arms,
who holds an exquisitely formed rose in a manner that echoes hopefulness.

Dalí’s insistence of the meaningless of time here begs the
question - is the beauty, shared by the woman and flower, limited by the concept
of age?

The sculpture, set in bronze with green patina, asks if
beauty can be independent of time, whether it is found in the female or the
flower.

This piece is...

-        
Numbered and signed

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Limited edition of 350 and
35 EA.